Since the dark shadings of “The Sopranos” first transformed our televisions, cultural observers have agreed that what’s on there is as good as what used to be grandly known as the cinema. But has TV’s ceremonial clothing kept pace?
Dizzyingly so, in the case of the 2014 Emmys red carpet, which was a full-on gallop toward the finish line of Twitter feeds, Facebook “selfie stations” and blog-a-logs, where spectators waited to identify who wore what and decide if it meant anything, anything at all.
There were no trends; there was only trending
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